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Musical setting of excerpts from the Henry Wadsworth Longfellow poem “Footsteps of Angels”. The key of Eb was selected to invoke a serene evening in autumn, with green grass and orange leaves nestled beneath a clear evening sky.
lyrics
"FOOTSTEPS OF ANGELS" [Excerpts]
(By: Henry Wadsworth Longfellow)
When the hours of Day are numbered,
And the voices of the Night
Wake the better soul, that slumbered,
To a holy, calm delight;
[...]
Then the forms of the departed
Enter at the open door;
The beloved, the true-hearted,
Come to visit me once more;
[...]
With a slow and noiseless footstep
Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.
And she sits and gazes at me
With those deep and tender eyes,
Like the stars, so still and saint-like,
Looking downward from the skies.
Uttered not, yet comprehended,
Is the spirit's voiceless prayer,
Soft rebukes, in blessings ended,
Breathing from her lips of air.
Oh, though oft depressed and lonely,
All my fears are laid aside,
If I but remember only
Such as these have lived and died!
credits
from
Mount Auburn: Spring and Autumn Suites,
released June 3, 2017
Composed and arranged by Mary Bichner. Conducted by Kristo Kondakçi. Performed by , Evanangelia Leontis (soprano), Mary Bichner (alto), Mali Sastri (tenor), Seth Grondin (bass [vocals]), Katharina Giegling (concertmaster), Sonia Deng (violin), Abby Swidler (violin), Christopher McClain (viola I principal, viola soloist), Minjung Chun (viola I), Carrol Lee (viola II principal), Foxman James (viola II), Aron Zelkowicz (cello principal), Nash Tomey (contrabass principal), Arielle Burke (flute), Elizabeth England (oboe), David Angelo (clarinet), and Susannah Telsey (bassoon).
Recorded and engineered by Antonio Oliart Ros at WGBH Studios in Boston, MA. Mixed and mastered by Peter Moore at Palace of Purpose in Malden, MA. Consulting by Xiao’an Li. Commissioned by The Friends of Mount Auburn and Mount Auburn Cemetery.
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